This article was published in the New York Review of Books, June 13, 2013
Jews Aren’t Allowed to Use Phones’: Berlin’s Most Unsettling Memorial
Artists Renata Stih and Frieder Schnock with a map of their "Places of Remembrance" project, Schöneberg, Berlin, 2013
Twenty years ago this month, Berlin-based artists inaugurated their hugely controversial “Places of Remembrance” memorial for a former Jewish district of West Berlin known as the Bavarian Quarter. At the time, Germany had just been reunified, and it was one of the first major efforts to give permanent recognition to the ways the Holocaust reached into daily life in the German capital. The 1991 competition called for a central memorial on the square, but Stih and Schnock instead proposed attaching eighty signs hung on lamp posts throughout the Bavarian Quarter, each one spelling out one of the hundreds of Nazi laws and rules that gradually dehumanized Berlin’s Jewish population.
Today, Germany is filled with memorials and institutions dealing with aspects of the Holocaust, including Daniel Libeskind’s Jewish Museum and Berlin’s central Holocaust memorial. But Stih and Schnock’s in-your-face signs about Nazi policies, integrated into the present-day life of a residential Berlin neighborhood, remain one of the most visceral and unsettling. I recently walked through the Bavarian Quarter—which is part of Berlin’s Schöneberg district—with the artists to discuss their work and its legacy.
"Jews are banned from choral societies"